custom-made suits and el grupo japonesa
Cuenca has a disproportionate abundance of certain kinds of shops and buildings. Churches. Yummy-smelling panaderías. Papelerías, where the dry erase markers cost about a third of the price of those at Staple’s, and last approximately a third as long. Tiny, alarmingly cramped bodegas that sell everything from fresh eggs to instant chicken noodle soup to triple A batteries. (Some just sell dry goods, but some carry fresh produce, too. Jay and I are lucky to have two that sell produce on our corner, across the street from each other. We think they´re magic, like clown cars, because they can fit avocados, light bulbs, and four choices of pasta within a 10-by-10 foot space. We call them “the magic store” and “la tienda mágica” to differentiate between the two.)
But I digress. Also on the streets of Cuenca reside a wide variety of tailors advertising “trajes hecho a mano,” with jackets, pants, shirts, and ties gracing their windows, some quite elegantly. So it is that, here in Ecuador, Jay and I each want to buy a custom-made suit – an unthinkable purchase in New York. I do have a suit. I bought it on sale from the downtown Brooklyn Macy´s – not the best version of that store – two days before a job interview, and it looks somewhat ridiculous. (“Oh! It´s sort of… sporty looking,” Jay said encouragingly when I brought it home.)
So we´ve been window shopping for suits and I asked my landlord, a smart dresser, for her consejo. She pointed us to a handful of shops, and yesterday Jay got fitted for a black suit at one of them. It was very exciting. First, we had to make sure that they made two-button suits. The moda here in Cuenca is the three-button suit, something that looks good on linebackers and basketball players, and is an unlikely choice in a country where, according to what my 103 class told me during a physical descriptions lesson, I am, at 5´2”, considered “medium height.” A week ago, Jay tried on a three-button jacket made of a gorgeous, subtly flecked black wool. “I look like I´m wearing a tube,” he said.
So, yesterday we went to a store that sold two-button suits. We looked at swath after swath of fabric, trying to determine the most versatile weight and color. Finally, the attendant brought out a large sample of Austrian cashmere, deep lustrous black, with a delicate texture provided by fine, slightly raised vertical lines. Jay decided on that one. The attendant was delighted. “Es el mejor,” he informed us earnestly.
He gave Jay a jacket to try on and began measuring him everywhere – the breadth of his shoulders, the length from his spine to where the jacket should fall, the inseam of his pants. He then called out a young man – the tailor who would make the suit – and issued him very serious instructions about how fitted Jay wanted the jacket (again, slimmer than how Ecuadorians like it) and how wide the shoulders should be, occasionally asking him questions. The tailor was focused and intent throughout the entire process, squinting his eyes, nodding, pinching bits of jacket material along Jay´s back and shoulders, and finally saying, with expert decisiveness, “Sí. Listo.” Jay was elated when we walked out. “I have no doubt that guy´s going to make a great suit.”
This week, I´m going to try to find one for myself.
It´s strange that suit-purchasing has become such an exciting quest for two people who, as a general rule, dislike shopping.
We´ve done other things, too, things we tend to like in New York, like see live music. Thursday night, we saw a jazz concert at the University of Cuenca´s performing arts center. The music was bad (complex, highly technical jazz attempted by musicians who, in Jay´s estimation, “don´t have the chops for that”), the tickets were free, and the mixed-age crowd was decidedly liberal intellectual-looking – what you might expect to find in a college town, but somehow oddly delightful and comforting here.
Last night, we attempted music again. We went to a bar-restaurant advertising live bands on Thursday, Friday, and Saturday nights. The main act was fun – a competent cover band playing upbeat Latin pop songs that everyone except Jay and I knew the words to. When everyone got up to dance three songs into the set, we did, too. Then everyone sat down at the end of the song. Then the band started the next song. Then everyone got up to dance again. And we did, too. It was kind of fun, the up and down between each song. We didn´t need to commit to dancing to anything beyond the given song.
But the opening band stole the show, and not through any superior musical ability. When we arrived around 8:00, a group appeared to be warming up, but the restaurant was empty, save for one very large party occupying the back table. I asked the waitress when the band was starting. Not until 11:30, she told me, they´re just doing the sound-check now. But, she added, “el grupo japonesa” was going to open for them, starting in a half an hour. She gestured to the large party. There were ten, maybe twelve young men and women, all Japanese, all talking animatedly in a language I will assume was Japanese, and all eating large quantities of hearty Ecuadorian food. I had to clarify. “Ellos?” The waitress nodded, smilingly.
So, obviously, we made it a point to see the Japanese band. They were fairly bad and fully delightful. They weren´t all onstage at once; different members came on and replaced each other with various instruments. There were four regulars onstage – an accordionist, a lead singer, a violinist, and a utility guy who played many instruments. The lead singer, who sang with a kind of uninhibited gusto, introduced the songs in broken Spanish. These were clearly not immigrants to Ecuador – or else, very recent immigrants, all dozen of them, which seemed unlikely. (I was surprised to learn early on that the Chinese, along with the expected Peruvians and Colombians, are the leading immigrant group in Ecuador. There are Chinese restaurants in Cuenca – one of which I will most certainly dine at before the end of my stay here – and Chinese-owned stores selling $2 towels and $11 sneakers. But the Japanese aren´t flocking here.) The local crowd seemed bemused and delighted. “Este canción es de Irana,” I thought I heard the lead singer say. “The song´s from Iran,” I told Jay, though I couldn´t be sure that “Irana” is the Spanish word for Iran. (It´s not. It´s just “Irán.”) On came a flute. Off went the singer. The violinist started playing a series of legato double-stops, solo. Then, after a pregnant pause, he picked up the pace, everyone joined in, and the unimistakable strains of “Devil´s Dream” came bursting from the stage. I looked back at Jay. “Ireland,” he grinned. Right. A not-very-good, 11-person Japanese cover band was playing songs from Irlanda while on tour through Cuenca, Ecuador to a crowd that includes two New Yorkers who are inherently interested in neither Irish music nor unwieldy Japanese cover bands.
The night was full.
But I digress. Also on the streets of Cuenca reside a wide variety of tailors advertising “trajes hecho a mano,” with jackets, pants, shirts, and ties gracing their windows, some quite elegantly. So it is that, here in Ecuador, Jay and I each want to buy a custom-made suit – an unthinkable purchase in New York. I do have a suit. I bought it on sale from the downtown Brooklyn Macy´s – not the best version of that store – two days before a job interview, and it looks somewhat ridiculous. (“Oh! It´s sort of… sporty looking,” Jay said encouragingly when I brought it home.)
So we´ve been window shopping for suits and I asked my landlord, a smart dresser, for her consejo. She pointed us to a handful of shops, and yesterday Jay got fitted for a black suit at one of them. It was very exciting. First, we had to make sure that they made two-button suits. The moda here in Cuenca is the three-button suit, something that looks good on linebackers and basketball players, and is an unlikely choice in a country where, according to what my 103 class told me during a physical descriptions lesson, I am, at 5´2”, considered “medium height.” A week ago, Jay tried on a three-button jacket made of a gorgeous, subtly flecked black wool. “I look like I´m wearing a tube,” he said.
So, yesterday we went to a store that sold two-button suits. We looked at swath after swath of fabric, trying to determine the most versatile weight and color. Finally, the attendant brought out a large sample of Austrian cashmere, deep lustrous black, with a delicate texture provided by fine, slightly raised vertical lines. Jay decided on that one. The attendant was delighted. “Es el mejor,” he informed us earnestly.
He gave Jay a jacket to try on and began measuring him everywhere – the breadth of his shoulders, the length from his spine to where the jacket should fall, the inseam of his pants. He then called out a young man – the tailor who would make the suit – and issued him very serious instructions about how fitted Jay wanted the jacket (again, slimmer than how Ecuadorians like it) and how wide the shoulders should be, occasionally asking him questions. The tailor was focused and intent throughout the entire process, squinting his eyes, nodding, pinching bits of jacket material along Jay´s back and shoulders, and finally saying, with expert decisiveness, “Sí. Listo.” Jay was elated when we walked out. “I have no doubt that guy´s going to make a great suit.”
This week, I´m going to try to find one for myself.
It´s strange that suit-purchasing has become such an exciting quest for two people who, as a general rule, dislike shopping.
We´ve done other things, too, things we tend to like in New York, like see live music. Thursday night, we saw a jazz concert at the University of Cuenca´s performing arts center. The music was bad (complex, highly technical jazz attempted by musicians who, in Jay´s estimation, “don´t have the chops for that”), the tickets were free, and the mixed-age crowd was decidedly liberal intellectual-looking – what you might expect to find in a college town, but somehow oddly delightful and comforting here.
Last night, we attempted music again. We went to a bar-restaurant advertising live bands on Thursday, Friday, and Saturday nights. The main act was fun – a competent cover band playing upbeat Latin pop songs that everyone except Jay and I knew the words to. When everyone got up to dance three songs into the set, we did, too. Then everyone sat down at the end of the song. Then the band started the next song. Then everyone got up to dance again. And we did, too. It was kind of fun, the up and down between each song. We didn´t need to commit to dancing to anything beyond the given song.
But the opening band stole the show, and not through any superior musical ability. When we arrived around 8:00, a group appeared to be warming up, but the restaurant was empty, save for one very large party occupying the back table. I asked the waitress when the band was starting. Not until 11:30, she told me, they´re just doing the sound-check now. But, she added, “el grupo japonesa” was going to open for them, starting in a half an hour. She gestured to the large party. There were ten, maybe twelve young men and women, all Japanese, all talking animatedly in a language I will assume was Japanese, and all eating large quantities of hearty Ecuadorian food. I had to clarify. “Ellos?” The waitress nodded, smilingly.
So, obviously, we made it a point to see the Japanese band. They were fairly bad and fully delightful. They weren´t all onstage at once; different members came on and replaced each other with various instruments. There were four regulars onstage – an accordionist, a lead singer, a violinist, and a utility guy who played many instruments. The lead singer, who sang with a kind of uninhibited gusto, introduced the songs in broken Spanish. These were clearly not immigrants to Ecuador – or else, very recent immigrants, all dozen of them, which seemed unlikely. (I was surprised to learn early on that the Chinese, along with the expected Peruvians and Colombians, are the leading immigrant group in Ecuador. There are Chinese restaurants in Cuenca – one of which I will most certainly dine at before the end of my stay here – and Chinese-owned stores selling $2 towels and $11 sneakers. But the Japanese aren´t flocking here.) The local crowd seemed bemused and delighted. “Este canción es de Irana,” I thought I heard the lead singer say. “The song´s from Iran,” I told Jay, though I couldn´t be sure that “Irana” is the Spanish word for Iran. (It´s not. It´s just “Irán.”) On came a flute. Off went the singer. The violinist started playing a series of legato double-stops, solo. Then, after a pregnant pause, he picked up the pace, everyone joined in, and the unimistakable strains of “Devil´s Dream” came bursting from the stage. I looked back at Jay. “Ireland,” he grinned. Right. A not-very-good, 11-person Japanese cover band was playing songs from Irlanda while on tour through Cuenca, Ecuador to a crowd that includes two New Yorkers who are inherently interested in neither Irish music nor unwieldy Japanese cover bands.
The night was full.
